Past music directors have included many of the greats, including Fritz Reiner, William Steinberg, Andre Previn, Lorin Maazel and Mariss Jansons. The Pittsburgh Symphony Orchestra, known for its artistic excellence for more than 120 years, is credited with a rich history of the world’s finest conductors and musicians. The booklet notes include his very interesting thoughts on the history and performance of the Concerto, in a question/answer format joined with Maestro Honeck. He has performed as guest Principal Horn with the Chicago Symphony Orchestra, the Cleveland Orchestra, the Philadelphia Orchestra, The Los Angeles Philharmonic, the Dallas Symphony Orchestra and the St. Before joining PSO in 1989, he held Principal Horn positions with the Houston Symphony, Houston Grand Opera and Hartford Symphony. 1, provides a thrilling and masterful performance of this youthful Strauss work. William Caballero, Principal Horn of the Pittsburgh Symphony Orchestra and soloist on Strauss: Horn Concerto No. He reminds us that the “Eroica” was a bold departure from earlier symphonies, a “dance symphony with dramatic inventiveness, full of new elements that had never been heard before.” He quotes Beethoven’s student Ferdinand Ries, who wrote “Beethoven played recently for me (the “Eroica”) and I believe both heaven and earth must tremble when it is performed.” Honeck puts his own inimitable stamp on this interpretation, giving the listener a chance to experience the novelties of the “Eroica” as if hearing it for the very first time. In his fascinating and scholarly music notes, Maestro Honeck gives us insight into the history of both pieces, and describes how he conducts and interprets each. Reference Recordings proudly presents these two iconic works in definitive interpretations from Manfred Honeck and the Pittsburgh Symphony Orchestra, in superb audiophile sound.
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